Jack and the Cuckoo-Clock Heart

“Jack et la Mécanique du Coeur” (original title)

Creator: Mathias Malzieu (original novella/composer of all music through his band Dionysos/voice of Jack in the original French tracks)

Media Type: Feature Film, 94 minutes

Audience: Tween to Adult (regardless of what Netflix says).

Note: there isn’t any gore/violence/overt sex that typically warrants a tweens and up suggestion.  And yes, it is a musical, but not a Disney musical with fully orchestrated sing-alongs. Instead this CG film is very surreal and moves very quickly with operatic styled music, which would likely lead it to bore most small children.


On the coldest day in history, on the edge of Edinburgh a young woman is desperate to make it to the midwife in time to give birth to her son. The time in the cold, though, has taken it’s toll and the boy is born with a heart made of ice. The midwife (a doctor/inventor named Madeleine who is rumored to be a witch) quickly replaces this ineffective heart with a cuckoo-clock and tells the baby that there are three rules he must follow to keep his cuckoo-heart running:

  1. Never touch the hands of your heart
  2. Keep your temper under control
  3. Never, ever, fall in love.

Jack lives for ten uneventful years safely cooped up in the home he shares with Madeleine and several of her eccentric friends. For his tenth birthday he begs his adoptive mother to let him visit town, which he has never been allowed to do before. She agrees but implores him to abide by his three rules.

He doesn’t.

Instead he falls in love with a beautiful Spanish girl he hears singing at a fountain and decides he must chase the girl of his dreams all the way across Europe. But as time goes by, he begins to worry. Will she remember him? Will she love him the way he loves her? And if she does, can his fragile heart take it?

The Good:

  • This is an incredible film from a visual standpoint. The graphics are fabulously detailed and keep your attention throughout the film.
  • The steampunk elements are frequent (locomotives with bellows segments and horseless carriages to name a few) and intelligently used.
  • The music is emotionally resonant and unique; a breath of fresh air into the musical genre.

The Bad:

  • Tragically, this film suffers from terrible translation issues. The dialog is rushed and doesn’t allow you any time to reflect on what’s said before three more lines are spoken. The US Netflix version is only available in English, but if you can I suggest watching it in the original French with subtitles.
  • It’s weird.
    • Normally this isn’t a negative, but the surreal nature of the film made it sometimes hard to follow. For instance, Jack the Ripper makes an appearance during a traveling song, and it’s not explained or ever brought up again.


Remember this video I posted a few weeks ago?

It’s the single from the Dionysos album called La Mécanique du Cœur was composed and recorded to accompany the novella which the film is adapted from. The above music video was created by the director of the film and in a similar (though not identical) style.

Learn more about The Novella

Learn more about The Album

Learn more about The Film

Also instead of a trailer, below is a clip from the film. This is where Jack meets Miss Acacia. It gives a great taste for the films music and style. 

et en Français:

Let me know what you think of the movie in the comments or via Twitter @SteamLib.


Welcome to Kurios: Cirque meets Steam!

Official Kurios Promotional Image

The IT Guy and myself we’re lucky enough to get to see Kurios in Chicago last week. For those of you unfamiliar with Cirque du Soleil, the performance group brings together various acrobatic and traditional circus performance acts: contortionists, gymnastic acts, trapeze artists, and more. The acts all tie together following a general story line (for shows like Quidam) or simply all match a costume/inspirational theme (like Ovo). Shows run for about 2 hours (plus an intermission) and have a variety of acts within them. For each show there is always a distinctive selection of acts that match the theme or attitude of the show.

Shows takes place under a ‘traditional’ big top, only better. Cirque tent: large multi-post tent made of bold yellow and blue stripes with a decorative arc entrance

Inside the tent is a full size stage with intensive rigging and (thankfully) blasting A/C. Before you get to the stage, though, you can do a fair amount of shopping for the standard theater swag like tshirts, hoodies, hats, and umbrellas (my personal selection) as well as Circ merch like art books, CDs, and the like. New to me was the photobooth where waiting ticket holders could choose from an array of props for a green-screen photo op. Luckily the ITGuy is a good sport and humored me:

The Librarian and the IT guy in Victorian hats holding fake cameras inside a green-screen hot air balloon picture

Kurios, where “Reality if Relative”, has a very upbeat and excitable attitude. The costumes range from traditional Victorian garb for the balancing gymnasts to colorful poke-a-dotted fish suits for the contortionists. True to the Steampunk aesthetic the main non-gymnastic character, The Man Scientist, was accompanied by large automatons, several phonographs, and cracks of free flowing electricity. The music, played by a live band of a cello, a banjo, a violin, and a single drum and accompanied by a live vocalist, had the feeling of Moulin Rouge: peppy, dance inspiring, and distinctly French.

Acts included:

  • An aerial bicycle
  • Russian Cradle (strong-man throws a very small woman around allowing her to complete trapeze style aerial flips)
  • Contortionists
  • Chair Balance (chairs are stacked higher and higher requiring the performer to balance carefully on at a constantly increasing height)
  • Acro Net (trampoline act with parkour inspired motion)
  • Cirque staple Aerial Straps
  • Rola Bola balancing act on an aviator’s flying machine

See a full list and description (plus costume previews) on the show’s website.

Personally I was most impressed with the Acro Net. It was incredible to see over a dozen performers all working together with perfect timing to jump, spring, and fly across the stage. It was fun to watch, and the performers seemed to be genuinely enjoying themselves too. Unlike many Cirque acts which leave you staring in awe at the grace and strength of the performers this was purely entertaining.

So would I suggest Kurios as a Steampunk outing? You bet your brass buttons I do.

While it’s easy to dismiss the show as simply taping into a popular theme, that doesn’t give the choreographers or costumers the credit they deserve. They took core feelings of Steampunk — the appreciation for the self made artist, the imagination, and the re imagining of the turn-of-the-century circus — and turned it into a non-verbal performance piece. That’s no easy feat, and they did it impeccably.

Kurios will be in Chicago through September, then it will continue to travel. Check where it’ll be next on the Cirque ticket website.  Cirque shows travel a lot, and at different times over the years. If you don’t see your city listed, check back regularly OR you can join the Cirque Club and get emails whenever any show is coming to you.

Even if a circus show isn’t your cup of tea, the custom music from the show can serve as amazing artistic inspiration, or to shake up your next Steampunk event playlist. The music is distinctly jazzy and Francophonic making it not only fun to listen to, but wholly engaging and attention grabbing.

Aaaaand we’re back!

Hello Readers!

After an engagement celebration, a 1600 mile move, a new job, and finally finding/unpacking the box with my computer in it I am so glad to say WE’RE BACK! And just in time to start talking about Halloween prep; after all we have less than three months now!
Things you can expect in the next couple of weeks:

Thank you to all those who have kept checking in during the break! Don’t forget to send in comments and ideas to @SteamLib on Twitter and to admin@steampunklibrary.net


PS, here is a little video joy to share with you all

And this, if you haven’t seen it yet